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            3. Venue Opera House
            About us

            Venue Opera House

            Architecture

            Today's opera house, situated on the Augustusplatz, opened in 1960 as the only new opera building in the GDR, is a captivating, cohesive work of art in the architecture and interior design of the 1950s. The trapezoidal auditorium in the form of a single-aisle theatre offers a total of 1273 seats. It impresses with its excellent acoustics and outstanding views from every seat.

            • Exterior Design

              The architects Kunz Nierade and Kurt Hemmerling were commissioned to build the new opera house on Augustusplatz in 1954. The facade is made of light Pirna sandstone. It has a 350-metre-long parapet railing. Above the ground floor windows is a base relief showing theatre symbols and state emblems of the GDR. The entrance area consists of a two story loggia. The building has the shape of a stepped pyramid measuring 115 x 85 metres; from the foundation to the top there are 52 metres in seven storys. The building appears dull by day; however, at night, when everything is illuminated, the building appears festive and glassy through the large window fronts. Today, the Opera House is one of the most beautiful buildings in Germany in the architectural style of the late 1950s.

            • Interior Design

              Characteristic of the interior is the heightened spatial sequence of the foyers. One enters the opera through the vestibule, the box office hall, which is decorated with blue-black diabase flooring and which, like the adjoining cloakroom hall, is kept low. The walls are partly covered with handmade tiles of Meissen porcelain. Then one reaches the bright, double-flight main and parquet staircases. The brass handrails, staircase railings artfully forged by Fritz Kühn, the colour of the walls, the sconces, ornaments made of gold leaf and the wine-red carpet are typical of the period in which they were built. The colour selection consists mainly of the components white gold, gold and wine red. The walls and the square columns of the parquet foyer are clad in Swiss pear wood. The polychrome ceiling consists partly of figurative and partly of painted ornaments and contrasts with the austere wall structure. The concert foyer in the mezzanine is decorated in discreet pastel colours. Round columns divide the space into two halves. To the side of both foyers are two refreshment rooms.

            • Lighting Concept

              The shape of the luminaires throughout the building follow a dandelion aesthetic. The lamps in the cloakroom hall resemble flower buds. When you reach the stalls foyer, the buds have blossomed and the lamps resemble the large umbels of a dandelion. When you reach the rank foyer, the umbrellas on the large chandeliers fly away. If you go back down the stairs, the seed pods are in the banisters.

            • Theaterhall

              The trapezoidal auditorium in the form of a single-tier theatre offers 1273 seats (1,247 in the stalls and tier, 20 box seats and six wheelchair seats). It impresses with its excellent acoustics. There are outstanding views from every seat. The folded walls are covered with curly maple. The hall is spanned by a coffered ceiling. Furthermore, there are two lodges in the hall - the Intendant's Lodge and the City Lodge. These have separate entrances and reception rooms.

            History of the Oper Leipzig

            The opera house is the Oper Leipzig's venue for opera and ballet and is part of the tradition of over 325 years of musical theatre care in Leipzig.

            • Since 2012

              2022
              For 2022, the Oper Leipzig plans to stage all of Richard Wagner's operas in a period of three weeks. This is currently a one of a kind occurence in the world.
              2019
              The Education Department was transferred to the fourth division JUNGE OPER LEIPZIG.
              2018
              The Oper Leipzig celebrated its 325th anniversary in June with a performance of Alban Berg's opera "Lulu". A few months earlier, the Gewandhaus Orchestra celebrated its 275th anniversary.
              2017
              200 years ago, the Opera Chorus was founded as a professional choir. The choir presented itself in its current formation in a festive concert with the Gewandhaus Orchestra under the direction of artistic director and GMD Ulf Schirmer.
              2016
              Wagner fans from all over the world came to Leipzig for the first cyclical performance of Richard Wagner's "Ring of the Nibelung". Over 40% of the guests alone were from non-German-speaking countries.
              2015
              From July to October, the revolving stage in the opera house was extensively renovated. The opera and the Leipzig Ballet started the 2015/16 season in an opera tent on Augustusplatz.
              2014
              The performance of Richard Strauss' "Frau ohne Schatten" under the musical direction of Ulf Schirmer and directed by Balázs Kovalik established the second central pillar of the repertoire, the works of Richard Strauss.
              2013
              To mark the 200th anniversary of Richard Wagner's birth, the Oper Leipzig, in cooperation with the Bayreuth Festival (BF Medien), brought out the composer's three rarely performed early works. In addition, after more than forty years, the starting signal was given for a new production of the "Ring des Nibelungen". The anniversary year marked the beginning of a real Wagner renaissance in Leipzig.
              2012
              In the early days of Prof. Ulf Schirmer's directorship, the focus was on building up a core opera repertoire and on cultural participation for children and young people. To emphasise the importance of cultural education, Prof. Ulf Schirmer established the Education Department in 2012. It includes the Children's and Youth Choir with its more than 200 members as well as the entire area of theatre education.

            • 2011 - 2001

              2011
              With the appointment of Ulf Schirmer as artistic director of the Oper Leipzig, the artistic cooperation between the opera and the Gewandhaus Orchestra received new impetus.
              2009 
              Ulf Schirmer has been General Music Director of the Oper Leipzig since the 2009/10 season. Under his musical direction, the works of Richard Wagner and Richard Strauss in particular have moved to the centre of the repertoire.
              2007
              From 2007 to 2011, Executive Director Alexander von Maravic took over the duties of the artistic directorship on an interim basis. During his tenure, Peter Konwitschny was engaged as chief director. During these years, numerous productions by Konwitschny could be seen at the Oper Leipzig. New productions for Leipzig included "Alkestis" and "Iphigenie in Aulis" by Gluck as well as a cycle of staged Bach cantatas.
              The foyer areas of the opera house were extensively renovated in accordance with the requirements of the preservation order. Since then, the opera house has had 1267 seats. In addition to the ensemble of singers, the opera choir and the Leipzig Ballet, the Oper Leipzig also includes the Musikalische Komödie with its own venue in Leipzig Lindenau. The large repertoire, with around 300 performances per season in all venues, ranges from the Baroque to the present day.
              2001
              With the directorship of Henri Maier (2001-2007), works by Berlioz ("La Damnation de Faust" and "Les Troyens") were added to the repertoire for the first time.

            • 1991 - 1930

              1991

              Uwe Scholz took up his position as ballet director and chief choreographer and developed the Leipzig Ballet into one of the first companies in Germany.

              1990

              Udo Zimmermann took over the opera directorship and gave the opera a spectacular boost.

              1960

              Re-opening: the new opera house was built on the same site from 1956 to 1960, with a hint of the late classical forms of the previous building. The festive opening took place with "Die Meistersinger von Nürnberg" (director: Joachim Herz). In the following years, the repertoire was characterised by important Wagner performances and the revival of neglected works.

              1943

              In December 1943, the New Theatre is destroyed by a World War II bombing raid.

              1930

              In the 1920s, the Oper Leipzig opened up to contemporary works in a special way. Among the many important first and world premieres was Brecht/Weill's "Rise and Fall of the City of Mahagonny" (1930).

            • 1878 - 1868

              1878

              Richard Wagner's "Ring" tetralogy was performed for the first time outside the Bayreuth Festival Theatre in Leipzig in 1878. Outstanding conductors until 1890 were Artur Seidl, Arthur Nikisch and Gustav Mahler.

              1868

              Opening of the New Theatre on Augustusplatz, which was used for opera and drama. In addition to works by Mozart, Weber and Gluck, the cultivation of the Wagner repertoire has been a special focus ever since.

            • 1766 - 1693

              1766

              For the first time, opera and musicians of the then "Great Concert" demonstrably cooperated in a musical theatre production. In the same year, the "Komödienhaus", later known as the "Altes Theater", was inaugurated. For a good century it was the scene of important German opera tradition.

              1693

              Opening of the first opera house at Brühl, making it the third bourgeois musical theatre in Europe after Venice and Hamburg.

            History Leipzig Ballet

            Rémy Fichet with Company and Team of the Leipzig Ballet | © Ida Zenna

            Leipzig Ballet, with its origins dating back to the late seventeenth century, is now widely recognised as one of the great international ballet companies. In the 1940s, Mary Wigman set a milestone with her choreography of Carl Orff’s Carmina Burana – with features of expressionist dance. Since the opening of the Neues Opernhaus (New Opera House) in 1960, virtually all the great narrative ballets have been performed, as well as new works.

            1991 saw the start of a new era with the appointment of Uwe Scholz as Director of Ballet and Principal Choreographer. His first première in Leipzig, The Creation, which remains the flagship of the company in the neoclassical tradition, was followed by symphonic ballets such as The Great Mass, Symphony No. 7 in A major and Bruckner 8, which were staged as guest performances throughout Europe and in Hong Kong. Following Uwe Scholz’s death in 2004, the new Director of Ballet, Paul Chalmer, made his mark, inter alia, with a three-year Stravinsky cycle.

            Since the 2010/11 season, Mario Schröder has taken over the company as Director of Ballet and Principal Choreographer. He previously held the same posts in Würzburg and Kiel, and has created well over 60 choreographies, including in Japan, the US, Russia, Mongolia and France as well as for great German venues such as the Deutsche Oper (German Opera) and Komische Oper Berlin (Berlin Comic Opera) and for the Aalto Ballett Theater Essen (Aalto Ballet Theatre in Essen). He worked with Ruth Berghaus, Maxim Dessau, Nikolaus Lehnhoff and Uwe Scholz and has won numerous choreography competitions.

            Technology

            In 1960, with the opening of the opera house, the stage architect Prof. Kurt Hemmerling handed over a state-of-the-art technical stage system to the Oper Leipzig. The auditorium has 1,247 seats, plus 12 seats in the boxes and 6 wheelchair spaces.

            • Stage Technology

              Main stage width 25 m - depth 22 m
              Portal width 16 m
              Portal height 8 m - 9.80 m
              Backstage 16 m x 11 m with wagons
              Side stage left 19 m x 11 m with trolley
              Side stage right 19 m x 11 m
              Recessed revolving stage 17.60 m diameter
              with 4 plateau recesses 12 m x 12 m
              with 2 recesses of 12 m x 4 m each
              and lifting heights from + 4 m/+ 2,50 m to - 2,00/- 3,50 m
              as well as 2 countersinks a 12 m x 2 m
              with lifting heights from + 2 m to - 3,50 m
              all countersinks 8% inclination adjustable
              programmable machine system
              with 37 machine hoists (500 kg)
              19 manual hoists (300 kg)
              24 point hoists (500 kg)/ travel height 24 m
              Orchestra pit 22 m x 7 m from +/ - 0 to - 2,67 m height

            museum technical cabinet

            The Oper Leipzig technical cabinet houses over 300 pieces of historical lighting equipment from over 150 years of theatre history. Initially founded in 1984 as a training cabinet for stage craftsmen and lighting technicians, the technical cabinet is now a place of collecting and preservation. Spotlights, signal boxes and colour changers found in numerous German theatres over the years are lovingly restored and cared for, their historical backgrounds researched and processed. In addition, the cabinet has extensive archive and documentation material that is used to systematically catalogue the exhibits and is being digitised step by step.

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